 Created about 1 year ago
I am sympathetic to the view that copyright is essentially a transient phenomenon, and that the material value of culture needs to be constantly reassessed in light of technological changes. I don't think that was at the top of Peter Mandelson's priorities with the Digital Economy Bill, although the multinationals he was representing seem to be savvy to the alternative revenue streams that the internet has opened up, even if they are determined to protect the old ones.
With regard to classical music, I feel that that public funding, especially of orchestras, should carry a responsibility to make at least some content freely available online. This is happening to a certain extent, but rights protected streaming is currently the norm, while free downloading remains a rare exception.
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